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The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.
The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.
In the 1970s, a woodcut by one of the world's greatest printmakers, the German Renaissance artist Albrecht Dürer, was stolen from the Brooks. This print, the Expulsion of Adam and Eve, was part of a complete set of thirty-six illustrations and a title page known as the Small Passion.
Learn MoreFaig Ahmed, the internationally celebrated artist from Azerbaijan, is known for transforming the visual language of traditional eastern carpets into contemporary, sculptural works of art.
Learn MoreCreated in 1966, Warhol’s Silver Clouds consists of a room full of floating metallic balloons. The balloons are inflated with a proprietary mixture of air and pure helium, enabling them to float mesmerizingly in the space between the floor and the ceiling.
Learn MoreThe decidedly unglamorous snapshots of everyday life contained in the Little Red Books demonstrate Warhol’s compulsive desire to capture, collect, and organize his world.
Learn MoreDue South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.
Learn MoreSince 1989, the Brooks has been proud to partner with the Alliance for Young Artists & Writers, the national non-profit organization which organizes the nation’s oldest and largest student art competition, the Scholastic Art & Writing Awards, to host the regional competition and exhibition for Memphis and Mid-South area.
Learn MoreThis month-long exhibition in the education gallery features ofrendas (altars) designed by Mid-South students, a Monarch butterfly collaborative art-making activity, and stories behind some of the iconic symbols that represent this celebration of life.
Learn MoreMark Seliger, a well-known photographer, has captured striking portraits of some of the transgender residents of New York City’s famed Christopher Street. This will be the first time this body of work will be shown in a museum, and it is the first transgender-focused art exhibition the Brooks has ever organized.
Learn MoreBask in the summer air on the museum’s plaza surrounded by vibrant and whimsical creatures at our second annual Summer Art Garden! This year’s featured artist is the Memphis-based duo Banana Plastik with their installation Creatures of Paradise, where monstrous bugs and tiny Thumbelinas relax in a fantasy landscape.
Learn MoreMemphis-based Peruvian-American photographer Andrea Morales’s (b. 1984; Lima, Peru) portrayal of the Delta South is deeply rooted in the communities she engages with, and because of this, a truer account of this region that is often portrayed through stereotypes, misperceptions, nostalgia, and storytelling.
Learn MoreFor eighty-four years, the Memphis College of Art (MCA) offered rigorous arts education to students from across the country and around the world. To celebrate the illustrious history of the college, in 2025 the Memphis Brooks Museum of Art will open an exhibition with works by faculty, administrators, and graduates.
Learn MoreNazi-Era Research
Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.
Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.
The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.
In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.
Colonial-Era Research
Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.
The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.
Information about the permanent collections of the Brooks Museum