Memphis College of Art, 1936-2020: An Enduring LegacyMemphis College of Art, 1936-2020: An Enduring Legacy

February - December 2026

Memphis College of Art, 1936-2020: An Enduring Legacy

In May of 2020, the Memphis College of Art (MCA) graduated its last class of students, ending an illustrious 84-year history of contributing to the creative, economic, and cultural flourishing of the city of Memphis. In addition to being a touchstone for the regional arts community, MCA graduates ventured across the country and around the world where they nurtured their own careers as well as inspired generations of others through teaching. The college’s history is intimately tied not only to the city but
also to the Brooks Memorial Art Gallery, today the Memphis Brooks Museum of Art.

Florence McIntyre played a role in founding both institutions, including in their organization, professionalization, and success. It is therefore fitting that the final exhibition the museum mounts in its original home in Overton Park is a celebration of its sister organization’s august history. Through this exhibition of 90 faculty, administrators, and graduates who represent the diversity associated with the institution, Remembering the Memphis College of Art, 1936-2020 highlights the school’s success in educating and fostering artists. Featured are ninety works across a range of media spanning the school’s history and is organized into groupings of faculty and their students. The
exhibition is an opportunity to reflect on the historical impact of the college as well as celebrate its continued legacy regionally and beyond.

The exhibition includes work by Mario Bacchelli, Brin Baucum, Dale Baucum, Kim Beck, Tootsie Bell, Peter Bowman, Cynthia Bringle, Bunny Burson, Fred Burton, Burton Callicott, Karen Carrier, Nancy Cheairs, Martha Christian, Funlola Coker, Michael Coppage, Jay Crum, Beth Dary, Maritza Dávila Irizarry, Alonzo Davis, Patrick DeGuira, Carol DeForest, Don DuMont, Henry Easterwood, Thorne Edwards, Biff Elrod, Ted Faiers, Annette Fournet, Lurlynn Franklin, Moko Fukuyama, Ahmad George, Betty Gilow, Luther Hampton, Rob Hart, Adam Hawk, Michael Hayes, Randy Hayes, Pinkney Herbert, Sharon Havelka, Kyle Holland, Amy Hutcheson, Gere Kavanaugh, J. D. Kelly, Tommy Kha, Tom Lee, Phillip Lewis, James Little, Susan Maakestad, Kate Madison, John McIntire, Emily Miller, Remy Miller, Carl E. Moore, Haley Morris-Cafiero, Joe Morzuch, Floyd Newsum, Michele Noiset, Laurie Nye, George Oberteuffer, Kong Wee Pang, Fidencio Fifield Perez, Ed Perry, Melinda Eckley Posey, Richard Prillaman, Ed Rainey, Veda Reed, Sheri Fleck Rieth, Robert Riseling, Murray Riss, Ebet Roberts, Marc Rouillard, Ted Rust, Jennifer
Sargent, Jeanne Seagle, Elizabeth Sheehan, Vitus Shell, Martina Shenal, Allison Read Smith, Dolph Smith, Peter Sohngen, Dorothy Sturm, Cynthia Thompson, Carroll Todd, Martha Turner, Leandra Urrutia, George Wardlaw, D'Angelo Lovell Williams, Sean Winfrey, Jill Wissmiller, Bill Womack, and Tad Lauritzen Wright.

While the submissions process for inclusion in the exhibition is now closed, MCA graduates, faculty, and administrators may still showcase their work through a digital slideshow in the interactive gallery located within the exhibition. Please email mca2025@gmail.com for information on how to submit.

Memphis College of Art, 1936-2020: An Enduring Legacy is guest curated by Marina Pacini, Chief Curator, Memphis Brooks Museum of Art, 2002-2019.

Supported by the Henry Luce Foundation, the Wyeth Foundation for American Art, and The National Endowment for the Arts

Major support provided by Raymond James

All exhibitions at the Memphis Brooks Museum of Art are underwritten by the MBMA Exhibition Fund.

All exhibitions at the Memphis Brooks Museum of Art are underwritten by the MBMA Exhibition Fund. Major annual support is provided by Kay Clark and Maggie and Milton Lovell, with generous annual funding from Anonymous, Gloria and Kenneth Boyland, Holly and Paul T. Combs, Deborah and Bob Craddock, Michael and Maria Douglass, Eleanor and William Halliday, Debi and Galen Havner, Buzzy Hussey and Hal Brunt, Jay and Kristen Keegan, the Doris S. and Hubert Kiersky Charitable Remainder Trust, Carl and Valerie Person, and Bill Townsend.

Exhibition Programs

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Resources

The 901 Black American Portraits Soundtrack

The 901 Black American Portraits Soundtrack

Listen to a soundtrack of Memphis music that exemplifies Black Love, Power, and Joy. The 901 Black American Portraits Soundtrack celebrates the vibrant legacy and future of Black musicians in the city of Memphis. This playlist was curated by Jared “Jay B” Boyd, a Memphis-based multimedia artist, journalist, DJ, and on-air personality.

Listen Now

MCA Exhibition Questionnaire

MCA Exhibition Questionnaire

Help us generate the fullest picture possible of the MCA experience.
Submitting a questionnaire, which includes a request for an image of an artwork, is essential to be considered for part of the exhibition.

Why Have There Been No Great Women Artists?

Why Have There Been No Great Women Artists?

The American art theorist Linda Nochlin (1931-2017) posed this question as the title of a pioneering article in 1971. This essay was considered one of the first major works of Feminist art history, it has become a set text for those who study art internationally, and it is influential in many other fields.

Why Have There Been No Great Women Artists? by Linda Nochlin