Galleries + Permanent Collections

Permanent Collection

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Learn more about the different gallery spaces and permanent collections at the Memphis Brooks Museum of Art.

View our galleries and permanent collections

June 10, 2026 - Sept. 2026

David Uzochukwu: Bodies of Water

David Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.‍

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David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.
David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.

March 26th - September 27th

Summer Art Garden: Wax Print Wonderland

Nigerian-American fashion designer Samilia Pelshak presents Wax Print Wonderland as the final Summer Art Garden in Overton Park. Drawing on her graphic design background at the Memphis College of Art and her cultural heritage, Pelshak creates a surrealist wonderland in the museum’s plaza.

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Febuary 25 - September 2026

Memphis College of Art, 1936-2020: An Enduring Legacy

For eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Memphis College of Art, 1936-2020: An Enduring Legacy' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.

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Henry Easterwood, "Red Garden IV", 1985
Henry Easterwood, "Red Garden IV", 1985

July 23, 2025 - October 2026

Navigating Knowledge

This exhibition explores vessels and navigation as metaphors for the containment and transmission of knowledge. From religious doctrine and scientific theories to historical narratives and ancient philosophies, the works presented consider how ideas spread to the far reaches of the world through migration and other journeys.

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Harmonia Rosales, 'Migration of the Gods', 2021. Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel. Museum purchase with funds provided by the Blackmon Perry Endowment Fund, 2022.2
Harmonia Rosales, 'Migration of the Gods', 2021. Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel. Museum purchase with funds provided by the Blackmon Perry Endowment Fund, 2022.2

May 22, 2025

Suchitra Mattai: with abundance we meet

'with abundance we meet' is an installation made of ‘fruit’ ('phala' in Hindi) sculptures by the artist Suchitra Mattai that are ripe with possibilities, conjuring wombs and fertility spirits.

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Suchitra Mattai, 'phala' (fruit), 2023. 15 components comprised of vintage saris, rope, and chain, dimensions variable. Courtesy of the artist and Roberts Projects, Los Angeles, California; Photo: Robert Wedemeyer.
Suchitra Mattai, 'phala' (fruit), 2023. 15 components comprised of vintage saris, rope, and chain, dimensions variable. Courtesy of the artist and Roberts Projects, Los Angeles, California; Photo: Robert Wedemeyer.
No exhibitions were found

March 10 - June 25, 2023

Harmonia Rosales: Master Narrative

Through her visceral paintings that weave the tales of West African Yorùbà religion, Greco-Roman mythology, and Christianity with artistic techniques of European Old Masters, Harmonia Rosales rewrites the narrative from her perspective in a way that bridges the vastest of oceans and collapses the passing of millennia.

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Harmonia Rosales, 'Migration of the Gods', 2021 Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel 36 × 72 in. Memphis Brooks Museum of Art, Museum purchase, 2022.2
Harmonia Rosales, 'Migration of the Gods', 2021 Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel 36 × 72 in. Memphis Brooks Museum of Art, Museum purchase, 2022.2

Día de los Muertos Altar Show

Our annual ofrendas exhibition celebrates the tradition of honoring deceased loved ones on Día de los Muertos with altars. Coinciding with our Día de los Muertos Community Day, this exhibition displays the work of local Memphis students who have constructed ofrendas for deceased people who they admire.

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Ode To Flora, Fauna, and Frida, By Brighton Elementary 5th grade students and Art Educator Kathryn Vaughn, 2019
Ode To Flora, Fauna, and Frida, By Brighton Elementary 5th grade students and Art Educator Kathryn Vaughn, 2019

Oct 7 - Jan 8

Drawing the Curtain: Maurice Sendak's Designs for Opera and Ballet

Calling all wild things, mischievous children, and lovable characters! Come to the Brooks and be transported from page to stage to faraway places...

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Maurice Sendak, 'Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are),' 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71.
Maurice Sendak, 'Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are),' 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71.

September 30 - October 21

Brooks Outside: Evanescent

Come explore this immersive, outdoor light and sound experience inspired by the beauty, fragility, and transience of the natural world.

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Ongoing

Memphis on the Mississippi (Ode to Tom Lee)

To further build Memphis' Art Collection, the Brooks has commissioned the Memphis-based artist Carl E. Moore to create a work inspired by our soon-to-be new location Downtown on the banks of the Mississippi River.

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Carl E. Moore, 'Memphis on the Mississippi (Ode to Tom Lee)', 2022. Acrylic on canvas.
Carl E. Moore, 'Memphis on the Mississippi (Ode to Tom Lee)', 2022. Acrylic on canvas.

June 24 – September 11, 2022

Another Dimension: Digital Art in Memphis

While digital art has existed since the 1960s, it has experienced increasingly mainstream interest in recent years. Due in part to our shift toward virtual environments during the Covid-19 pandemic, this rise in interest from artists to collectors has also been fueled by the growing popularity of cryptocurrencies and NFTs.

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Kenneth Wayne Alexander II, 'Tower of Babel', 2021. Digital video. Courtesy of the artist.
Kenneth Wayne Alexander II, 'Tower of Babel', 2021. Digital video. Courtesy of the artist.

June 10 - January 9, 2023

Monika Grzymala

Grzymala’s work challenges the very definition of drawing and the nature of categorizing artworks - where does drawing end and sculpture begin? What are drawings made from, and how do we experience them?

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Monika Grzymala, Line, London, 2016
Monika Grzymala, Line, London, 2016

Through February, 2023

Henry Ossawa Tanner: The Thankful Poor

This work is one of the artist's last known “genre” paintings—images that depict everyday or ordinary domestic scenes—before he transitioned almost exclusively to religious scenes.

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Henry Ossawa Tanner, American, 1859 - 1937, 'The Thankful Poor', 1894, oil on canvas
Henry Ossawa Tanner, American, 1859 - 1937, 'The Thankful Poor', 1894, oil on canvas
No exhibitions were found

Galleries

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Permanent Collections

Information about the permanent collections of the Brooks Museum

Interior with Soldiers
Provenance Research Paintings
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