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While digital art has existed since the 1960s, it has experienced increasingly mainstream interest in recent years. Due in part to our shift toward virtual environments during the Covid-19 pandemic, this rise in interest from artists to collectors has also been fueled by the growing popularity of cryptocurrencies and NFTs.
Learn MoreGrzymala’s work challenges the very definition of drawing and the nature of categorizing artworks - where does drawing end and sculpture begin? What are drawings made from, and how do we experience them?
Learn MoreThis work is one of the artist's last known “genre” paintings—images that depict everyday or ordinary domestic scenes—before he transitioned almost exclusively to religious scenes.
Learn MoreIn the 1970s, a woodcut by one of the world's greatest printmakers, the German Renaissance artist Albrecht Dürer, was stolen from the Brooks. This print, the Expulsion of Adam and Eve, was part of a complete set of thirty-six illustrations and a title page known as the Small Passion.
Learn MoreFaig Ahmed, the internationally celebrated artist from Azerbaijan, is known for transforming the visual language of traditional eastern carpets into contemporary, sculptural works of art.
Learn MoreDue South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.
Learn MoreThe decidedly unglamorous snapshots of everyday life contained in the Little Red Books demonstrate Warhol’s compulsive desire to capture, collect, and organize his world.
Learn MoreCreated in 1966, Warhol’s Silver Clouds consists of a room full of floating metallic balloons. The balloons are inflated with a proprietary mixture of air and pure helium, enabling them to float mesmerizingly in the space between the floor and the ceiling.
Learn MoreDavid Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.
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Information about the permanent collections of the Brooks Museum
