Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research ProjectProvenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515

Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515
No exhibitions were found
No exhibitions were found

January 23 - February 22, 2026

2026 Mid-South Scholastic Art Awards

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Long Do, Another Day, Senior Division Best-In-Show, painting, grade 12, White Station High School, educator James Dycus
Long Do, Another Day, Senior Division Best-In-Show, painting, grade 12, White Station High School, educator James Dycus

October 1st, 2025 to January 4th, 2026

Of Salt and Spirit: Black Quilters in the American South

Curated by Dr. Sharbreon Plummer, this exhibition and the accompanying publication seek to illuminate the processes and practices of Black Southern quilters while celebrating the enduring impact of quilting on communities and generations. ‍

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Roland L. Freeman (1936–2023), Catherine Gill, Classy Blaylock, Decatur, MS, 1993. Color print, 24 in. x 36 ½ inches. Collection of the Mississippi Museum of Art, Jackson, Gift of the Kohler Foundation, Inc., 2022.9.162. Photo: Gib Ford
Roland L. Freeman (1936–2023), Catherine Gill, Classy Blaylock, Decatur, MS, 1993. Color print, 24 in. x 36 ½ inches. Collection of the Mississippi Museum of Art, Jackson, Gift of the Kohler Foundation, Inc., 2022.9.162. Photo: Gib Ford

April 26th - June 8th

Who You See and Who We Are: A reflection on teenage identity, culture, and change

Every day you interact with countless amounts of people, but have you ever truly seen them for who they are? In our diverse society, it is important to celebrate the beauty and uniqueness of all identities and experiences.

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Julian Ward, Misdiagnosis, 2024, Acrylic on canvas, 24 x 36
Julian Ward, Misdiagnosis, 2024, Acrylic on canvas, 24 x 36

April 17 - November 17

Summer Art Garden: A Flash of Sun

Memphis-based artist and designer Khara Woods presents A Flash of Sun, an installation of sun-drenched shades, dazzling patterns, and geometric sculptures.

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Axis, 2021, Spray Paint on Wood Panel, 30x40 in
Axis, 2021, Spray Paint on Wood Panel, 30x40 in

March 19, 2025 - September 7, 2025

Calida Rawles: Away with the Tides

In her first solo museum presentation, Calida Rawles envisions water as a space for Black healing. Merging hyperrealism, poetic abstraction, and water's cultural and historical symbolisms, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water.

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Calida Rawles, 'Towner for Life', 2024 acrylic on canvas 72 x 102 inches 182.9 x 259.1 cm © Calida Rawles Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Marten Elder
Calida Rawles, 'Towner for Life', 2024 acrylic on canvas 72 x 102 inches 182.9 x 259.1 cm © Calida Rawles Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Marten Elder

Part II: December 11, 2024 – April 28, 2025

Thomas Jackson: Chaotic Equilibrium

Pennsylvania-based artist Thomas Jackson (b. 1971, Philadelphia) harnesses the windto create ethereal works that blur the boundaries between landscape photography,sculpture, and kinetic art.

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Thomas Jackson, Tulle no. 045, Nantucket, Massachusetts, 2022
Thomas Jackson, Tulle no. 045, Nantucket, Massachusetts, 2022

November 22, 2024 - January 2025

Starry, Starry, Winter Garden

For the museum’s inaugural Winter Art Garden, Memphis-based artist Greely Myatt uses found objects including metal scraps, neon, and discarded signage to create Starry, Starry – an illuminated starscape on the museum’s plaza. Teasing the boundaries of sculpture through the use of flat forms, Myatt ponders and plays with line and light.

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Big Star, 2023. Photography by Selavie Photography
Big Star, 2023. Photography by Selavie Photography

Part I: September 20 - December 15, 2024 | Part II: December 20, 2024 - April 6 2025

Beyond the Surface: The Art of Handmade Paper

More than just a surface on which to paint, draw, or sketch, paper can be a dynamic art form that encourages collaboration and welcomes spontaneity. 'Beyond the Surface: The Art of Handmade Paper' explores the shape-shifting quality of paper—how it can transform from pulpy fiber into vibrant works of art through hand papermaking.

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Amy Jacobs, Coronet I, 2023. Pigmented cotton with stenciled blowout. Gift of Dieu Donné, New York, 2024.10.4
Amy Jacobs, Coronet I, 2023. Pigmented cotton with stenciled blowout. Gift of Dieu Donné, New York, 2024.10.4

June 10, 2026 - Sept. 2026

David Uzochukwu: Bodies of Water

David Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.‍

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David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.
David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.

Nazi-Era Research

Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.

Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.

The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.

In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.

Colonial-Era Research

Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.

The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.

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Interior with Soldiers
Provenance Research Paintings
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