Of Salt and Spirit: Black Quilters in the American SouthOf Salt and Spirit: Black Quilters in the American South
Roland L. Freeman (1936–2023), Catherine Gill, Classy Blaylock, Decatur, MS, 1993. Color print, 24 in. x 36 ½ inches. Collection of the Mississippi Museum of Art, Jackson, Gift of the Kohler Foundation, Inc., 2022.9.162. Photo: Gib Ford

October 1st, 2025 to January 4th, 2026

Of Salt and Spirit: Black Quilters in the American South

Quiltmaking is one of the most enduring ways of making meaning and encapsulating memories within Black culture. Generations of Southern Black women have cultivated this art form, using  quilts to preserve their history. Their hands have stitched visual records that maintain centuries of knowledge about the region's complexities, yet the makers of these quilts have been historically overlooked.  

Black folklorists and quilt collectors like Roland L. Freeman (1936-2023) documented the lives, processes, and creations of Black quilters across the South. By preserving these stories with care and respect for the artists, collectors like Freeman recognized that race, gender, and class should not define or diminish the makers nor their works.

Drawing from highlights of the collection of the Mississippi Museum of Art, including quilts from Freeman’s personal collection, Of Salt and Spirit celebrates the extraordinary vision and skill of Southern Black women quilters, and the communities they made quilts for. Uniting the works and their makers, the exhibition uses a reparative approach to showcase the untold stories of everyday people whose lives were, and are, as vibrant and varied as the quilts they created.

Of Salt and Spirit: Black Quilters in the American South is organized by the Mississippi Museum of Art. The exhibition is curated by quilts scholar Dr. Sharbreon Plummer with Lydia Jasper, former Assistant Curator of the Permanent Collection, Mississippi Museum of Art. National support is provided by the Henry Luce Foundation and Art Dealers Association of America Foundation.

The Memphis iteration is curated by Kristin Pedrozo, Art Bridges Curatorial Fellow, and presented by First Choice Global Sales & Merchandising Group, Cathy Ross, and the Black Art Collective, with major support from Burch, Porter & Johnson LLC; Kroger; Baker, Donelson, Bearman, Caldwell & Berkowitz; Dr. Linda Tharp; Tanya and Mark Hart; Gloria and Kenneth Boyland; National Civil Rights Museum; and the Memphis Brooks Museum of Art staff.

All exhibitions at the Memphis Brooks Museum of Art are underwritten by the MBMA Exhibition Fund. Major annual support is provided by Kay Clark and Maggie and Milton Lovell, with generous annual funding from Anonymous, Gloria and Kenneth Boyland, Holly and Paul T. Combs, Deborah and Bob Craddock, Eleanor and William Halliday, Debi and Galen Havner, Sally Hergenrader, James R. Humphreys, Jay and Kristen Keegan, the Doris S. and Hubert Kiersky Charitable Remainder Trust, Carl and Valerie Person, and Bill Townsend.

Quilting runs deep in my family. My grandmother, one of eight children during the Great Depression, learned to quilt from scraps when bedding and warmth were necessities. She passed that artistry to my mother, who—ever the educator—studied patterns and their role in storytelling, from family histories to the Underground Railroad. Born from survival, these quilts remind us how necessity sparks imagination—how color and pattern reveal our differences, yet also our shared humanity.”

— Melyne Strickland, MBMA Board Trustee & Salt & Spirit sponsor

Above, left to right:
Emma Russell (1909–2004), Star Quilt, 1978.
Elizabeth T. Scott (1916–2011) and Joyce J. Scott (b. 1948), Monsters, Dragons, and Flies, 1982.
Mabel Williams (dates unknown), Improvisational Strip Quilt, 1968.
Essie Mae Buck (1932–2021), Chickens, 1993.
All works from the collection of the Mississippi Museum of Art, Jackson. Gifts of the Kohler Foundation, Inc., except where noted.

Exhibition Programs

No exhibition programs at this time.
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Artist

Curator

Artist

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Art Bridges Curatorial Fellow

Kristin Pedrozo

Kristin Pedrozo is a double fellow, holding the position of Art Bridges Curatorial Fellow while being an ASU-LACMA fellow at the Memphis Brooks Museum of Art. Born in the Philippines, and raised in Memphis, Tennessee, Kristin received her BFA in studio art at Rhodes College and is now a graduate student studying art history through the ASU-LACMA fellowship, which is a work-while-you study program collaboratively held by Arizona State University and the Los Angeles County Museum of Art to culturally diversify the staff and leadership of art museums across the states.

Kristin Pedrozo

Art Bridges Curatorial Fellow

Kristin Pedrozo

Kristin Pedrozo is a double fellow, holding the position of Art Bridges Curatorial Fellow while being an ASU-LACMA fellow at the Memphis Brooks Museum of Art. Born in the Philippines, and raised in Memphis, Tennessee, Kristin received her BFA in studio art at Rhodes College and is now a graduate student studying art history through the ASU-LACMA fellowship, which is a work-while-you study program collaboratively held by Arizona State University and the Los Angeles County Museum of Art to culturally diversify the staff and leadership of art museums across the states.

Program Recordings

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Resources

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MCA Exhibition Questionnaire

MCA Exhibition Questionnaire

Help us generate the fullest picture possible of the MCA experience.
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Why Have There Been No Great Women Artists?

The American art theorist Linda Nochlin (1931-2017) posed this question as the title of a pioneering article in 1971. This essay was considered one of the first major works of Feminist art history, it has become a set text for those who study art internationally, and it is influential in many other fields.

Why Have There Been No Great Women Artists? by Linda Nochlin