Provenance Research ProjectProvenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515

Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515
No exhibitions were found
No exhibitions were found

May 26, 2016 – September 4, 2016

Hassan Hajjaj: My Rock Stars

This exhibition showcases Moroccan-born, UK-based art Hassan Hajjaj and the eclectic group of nine musicians from around the world whom the artist sees as his own personal “rock stars.”

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Hassan Hajjaj, Mr. Toliver, 2010, Collection of the Newark Museum
Hassan Hajjaj, Mr. Toliver, 2010, Collection of the Newark Museum

May 7, 2016 – November 6, 2016

Rotunda Projects: Yinka Shonibare MBE

The inaugural exhibition for Rotunda Projects comprises four figures from Yinka Shonibare MBE’s series Rage of the Ballet Gods. The figures will be on view in the museum’s rotunda from May 7 to Nov. 6, 2016, as part of the museum’s year-long centennial celebration.

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Yinka Shonibare, MBE, Butterfly Kid (boy), 2015, Photo: Stephen White
Yinka Shonibare, MBE, Butterfly Kid (boy), 2015, Photo: Stephen White

April 28, 2016 – May 7, 2016

Brooks Outside: RedBall Memphis

As part of the museum’s centennial, New York artist Kurt Perschke will bring his world-traveled RedBall Project to Memphis April 28 – May 7.

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Photograph: Brit Worgan ©RedBall Project
Photograph: Brit Worgan ©RedBall Project

November 7, 2015 – February 28, 2016

Wonder, Whimsy, Wild: Folk Art in America

This extraordinary exhibition highlights American folk art from New England and the Midwest made between 1800 and 1925.

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Still Life with Basket of Fruit, Unidentified Artist, Courtesy of the Barbara L. Gordon Collection
Still Life with Basket of Fruit, Unidentified Artist, Courtesy of the Barbara L. Gordon Collection

October 10, 2015 - January 10, 2016

Decorative Arts Trust: A 35th Anniversary Exhibition

Featuring DAT gifts in glorious profusion, the exhibition will include both recent acquisitions such as a rare French Renaissance platter from the workshop of Bernard Palissy and a pair of fine New York Federal chairs, as well as other old favorites.

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Febuary 25 - September 2026

Memphis College of Art, 1936-2020: An Enduring Legacy

For eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Memphis College of Art, 1936-2020: An Enduring Legacy' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.

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June 10, 2026 - Sept. 2026

David Uzochukwu: Bodies of Water

David Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.‍

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David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.
David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.

Nazi-Era Research

Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.

Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.

The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.

In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.

Colonial-Era Research

Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.

The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.

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Permanent Collections

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Interior with Soldiers
Provenance Research Paintings
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