Provenance Research ProjectProvenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515

Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515
No exhibitions were found
No exhibitions were found

September 1, 2018 – August 11, 2019

Rotunda Projects: Federico Uribe

Federico Uribe (Colombian, b. 1962) creates magical creatures and playful installations from everyday objects. For the Memphis Brooks Museum of Art, he has installed a large-scale site-specific environment in the museum’s rotunda. Uribe produces immersive and dreamlike landscapes by transforming materials such as books, col

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Federico Uribe (Colombian, b. 1962)
Federico Uribe (Colombian, b. 1962)

October 14, 2017 - January 7, 2018

Coming to America: Lachaise, Laurent, Nadelman, and Zorach

The sculptures of Gaston Lachaise, Robert Laurent, Elie Nadelman and William Zorach embody the vitality and vision of four modern artists who—arriving as immigrants in the United States from the growing turbulence of pre-war Europe—responded to the challenges and excitement of American life with extraordinary creativity.

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Gaston Lachaise, United States, born France, 1882-1935, Standing Woman, 1912-1927, Bronze, 72 x 28 x 17 (including bronze base), Philadelphia Museum of Art, Gift of R. Sturgis and Marion B.F. Ingersoll, 1962, 1962-182-1, © Gaston Lachaise Foundation Image Courtesy of the Philadelphia Museum of Art
Gaston Lachaise, United States, born France, 1882-1935, Standing Woman, 1912-1927, Bronze, 72 x 28 x 17 (including bronze base), Philadelphia Museum of Art, Gift of R. Sturgis and Marion B.F. Ingersoll, 1962, 1962-182-1, © Gaston Lachaise Foundation Image Courtesy of the Philadelphia Museum of Art

June 3 - August 27, 2017

100 Gifts for 100 Years

To mark the Brooks’ 100th anniversary, our dedicated, generous patrons and support groups have gifted the museum more than 100 spectacular works of art. Ranging from ancient coins to contemporary glass, from paintings to quilts, the exhibition will display all of these gifts in glorious profusion.

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Lino Tagliapetra, Mandara, 2005, Memphis Brooks Museum of Art
Lino Tagliapetra, Mandara, 2005, Memphis Brooks Museum of Art

May 8 - 24, 2017

Brooks Outside: Tape Art

The Rhode Island artist collective Tape Art, known for creating over 500 temporary murals installed around the world, ends our centennial celebration with a massive installation on the Brooks’ façade.

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A massive 20-day mural made for the Brooks Art Museum, Memphis, TN.
A massive 20-day mural made for the Brooks Art Museum, Memphis, TN.

April 22 - July 30, 2017

A Feast for the Eyes: 200 Years of American Still-Life Painting

Featuring rarely seen works by major American artists—including James Peale, John F. Peto, Thomas Hart Benton, Georgia O’Keeffe and Andrew Wyeth—this exhibition celebrates the history of still-life painting in the United States.

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Raphaelle Peale, Orange and Book, c. 1817, Oil on canvas, the Frank and Michelle Hevrdejs Collection. Thomas R. Dubrock, photographer.
Raphaelle Peale, Orange and Book, c. 1817, Oil on canvas, the Frank and Michelle Hevrdejs Collection. Thomas R. Dubrock, photographer.

January 28 - February 26, 2017

2017-mid-south-scholastic-art-awards

The Mid-South Scholastic Art Awards is an annual juried student exhibition presented by the Brooks and Brooks Museum League. As an affiliate of the Alliance for Young Artists and Writers, the Mid-South Scholastic Art Awards honors exemplary art by students in seventh through 12th grades.

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Tram Le, Under Pressure, White Station High School
Tram Le, Under Pressure, White Station High School

October 15, 2016 - January 8, 2017

Red Grooms: Traveling Correspondent

Grooms’s treatment of New York City and Tennessee provides the focus for Red Grooms: Traveling Correspondent. The distinct bodies of work reflect time spent in these radically different environments, specifically those that most define him as a person and an artist.

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Red Grooms, Rockefeller Center, 1995, Courtesy of Michael Rosenfeld Gallery, LLC, New York
Red Grooms, Rockefeller Center, 1995, Courtesy of Michael Rosenfeld Gallery, LLC, New York

June 18 - September 4, 2016

Veda Reed: Day into Night

This influential Memphis artist was represented by 28 paintings spanning 1956 to 2016. The emphasis was on her recent luminous paintings of night skies populated with moons, clouds, and shimmering light. These poetic images represent what the artist herself feels are the zenith of her career.

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Vera Reed
Vera Reed

Febuary 25 - September 2026

Memphis College of Art, 1936-2020: An Enduring Legacy

For eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Memphis College of Art, 1936-2020: An Enduring Legacy' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.

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June 10, 2026 - Sept. 2026

David Uzochukwu: Bodies of Water

David Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.‍

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David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.
David Uzochukwu, Gurgle, 2020. Archival inkjet print, 40 x 60 in. Courtesy of the artist. © 2025 David Uzochukwu. Courtesy of the artist and Galerie Gomis.

Nazi-Era Research

Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.

Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.

The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.

In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.

Colonial-Era Research

Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.

The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.

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Permanent Collections

Information about the permanent collections of the Brooks Museum

Interior with Soldiers
Provenance Research Paintings
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