Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research ProjectProvenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515

Provenance Research

Provenance Research Project

The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

List of paintings
Provenance Research Project
'Balthazar, from an altarpiece depicting the Adoration of the Magi,' Unknown Artist (Netherlandish (probably Antwerp), ca. 1515
No exhibitions were found
No exhibitions were found

January 27 - October 29, 2023

Tommy Kha: Eye is Another

This site-specific, photography-based installation by artist Tommy Kha explores themes of identity, (in)visibility, and sense of place and is presented as part of the inaugural, state-wide Tennessee Triennial for Contemporary Art organized by Tristar Arts.

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Tommy Kha, 'Eye is Another', 2022-23, Inkjet prints on Photo Tex, dimensions variable
Tommy Kha, 'Eye is Another', 2022-23, Inkjet prints on Photo Tex, dimensions variable

March 10 - June 25, 2023

Harmonia Rosales: Master Narrative

Through her visceral paintings that weave the tales of West African Yorùbà religion, Greco-Roman mythology, and Christianity with artistic techniques of European Old Masters, Harmonia Rosales rewrites the narrative from her perspective in a way that bridges the vastest of oceans and collapses the passing of millennia.

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Harmonia Rosales, 'Migration of the Gods', 2021 Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel 36 × 72 in. Memphis Brooks Museum of Art, Museum purchase, 2022.2
Harmonia Rosales, 'Migration of the Gods', 2021 Oil with iron oxide and 24 karat gold leaf on Belgian linen mounted on wood panel 36 × 72 in. Memphis Brooks Museum of Art, Museum purchase, 2022.2

Día de los Muertos Altar Show

Our annual ofrendas exhibition celebrates the tradition of honoring deceased loved ones on Día de los Muertos with altars. Coinciding with our Día de los Muertos Community Day, this exhibition displays the work of local Memphis students who have constructed ofrendas for deceased people who they admire.

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Ode To Flora, Fauna, and Frida, By Brighton Elementary 5th grade students and Art Educator Kathryn Vaughn, 2019
Ode To Flora, Fauna, and Frida, By Brighton Elementary 5th grade students and Art Educator Kathryn Vaughn, 2019

Oct 7 - Jan 8

Drawing the Curtain: Maurice Sendak's Designs for Opera and Ballet

Calling all wild things, mischievous children, and lovable characters! Come to the Brooks and be transported from page to stage to faraway places...

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Maurice Sendak, 'Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are),' 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71.
Maurice Sendak, 'Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are),' 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71.

September 30 - October 21

Brooks Outside: Evanescent

Come explore this immersive, outdoor light and sound experience inspired by the beauty, fragility, and transience of the natural world.

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June 24 – September 11, 2022

Another Dimension: Digital Art in Memphis

While digital art has existed since the 1960s, it has experienced increasingly mainstream interest in recent years. Due in part to our shift toward virtual environments during the Covid-19 pandemic, this rise in interest from artists to collectors has also been fueled by the growing popularity of cryptocurrencies and NFTs.

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Kenneth Wayne Alexander II, 'Tower of Babel', 2021. Digital video. Courtesy of the artist.
Kenneth Wayne Alexander II, 'Tower of Babel', 2021. Digital video. Courtesy of the artist.

June 10 - January 9, 2023

Monika Grzymala

Grzymala’s work challenges the very definition of drawing and the nature of categorizing artworks - where does drawing end and sculpture begin? What are drawings made from, and how do we experience them?

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Monika Grzymala, Line, London, 2016
Monika Grzymala, Line, London, 2016

Through February, 2023

Henry Ossawa Tanner: The Thankful Poor

This work is one of the artist's last known “genre” paintings—images that depict everyday or ordinary domestic scenes—before he transitioned almost exclusively to religious scenes.

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Henry Ossawa Tanner, American, 1859 - 1937, 'The Thankful Poor', 1894, oil on canvas
Henry Ossawa Tanner, American, 1859 - 1937, 'The Thankful Poor', 1894, oil on canvas

May 8 - October 26 2024

Summer Art Garden: Creatures of Paradise

Bask in the summer air on the museum’s plaza surrounded by vibrant and whimsical creatures at our second annual Summer Art Garden! This year’s featured artist is the Memphis-based duo Banana Plastik with their installation Creatures of Paradise, where monstrous bugs and tiny Thumbelinas relax in a fantasy landscape.

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Banana Plastik, 2024.
Banana Plastik, 2024.

September 2024 - January 2025

Andrea Morales: Roll Down Like Water

Memphis-based Peruvian-American photographer Andrea Morales’s (b. 1984; Lima, Peru) portrayal of the Delta South is deeply rooted in the communities she engages with, and because of this, a truer account of this region that is often portrayed through stereotypes, misperceptions, nostalgia, and storytelling. 

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Andrea Morales, Kaylin McCain and Jakayla Davis wait for their grandmother to sign up for the Affordable Care Act at Impact Baptist Church in Frayser, a Memphis, Tennessee, neighborhood, in February 2015.
Andrea Morales, Kaylin McCain and Jakayla Davis wait for their grandmother to sign up for the Affordable Care Act at Impact Baptist Church in Frayser, a Memphis, Tennessee, neighborhood, in February 2015.

Fall 2025

MCA at Memphis Brooks Museum of Art

For eighty-four years, the Memphis College of Art (MCA) offered rigorous arts education to students from across the country and around the world. To celebrate the illustrious history of the college, in 2025 the Memphis Brooks Museum of Art will open an exhibition with works by faculty, administrators, and graduates.

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Nazi-Era Research

Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.

Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.

The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.

In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.

Colonial-Era Research

Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.

The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.

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Permanent Collections

Information about the permanent collections of the Brooks Museum

Interior with Soldiers
Provenance Research Paintings
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