No exhibitions were found
Brooks hours populate here
Contemporary Indigenous art comes front and center in Native Voices, 1950s to Now: Art for a New Understanding. The exhibition features over 70 artworks from the 1950s to today, including paintings, photography, video, sculptures, performance art, and more, all created by Indigenous U.S. and Canadian artists.
Learn MoreIn The Tower of Babel: An Anthology, 1975, Claire Van Vliet (American, born Canada, b. 1933) observes the human condition by examining the origin of language. This unbound book of seventeen lithographs and one woodcut – on display for the first time – is shown alongside two prints by Käthe Kollwitz (1867-1945).
Learn MoreWith baseball as the focus, from Little League through the Negro Leagues, this exhibition examines African American identity and representation as captured through the lens of noted Civil Rights-era photographer Ernest C. Withers.
Learn MoreAlbrecht Dürer (b. Nuremberg, 1471- 1528) has long been recognized as one of the most influential artists of the European Renaissance and one of the finest printmakers in the history of art.
Learn MoreEmbark on a hands-on exploration of the basic visual components that make up a work of art; line, color, texture, and form. Through every day play, four interactive stations encourage careful observation, imaginative art making, and sensory awareness in all ages. On your mark, get set... PLAY!
Learn MoreComprising around 40 works by the French academic painter William-Adolphe Bouguereau (1825-1905), this exhibition explores the artist’s remarkable popularity in the United States.
Learn MoreA sculpture and sound installation by multimedia artist Terry Adkins.
Learn MoreMemphis artist Ted Faiers (1908-1985) is featured in an exhibition of woodcuts, selected from the permanent collection. Faiers is best remembered for his large relief paintings with figures that project off the surface and that are colorful, insightful and satirical;
Learn MoreDavid Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.
Learn More
Information about the permanent collections of the Brooks Museum
