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This month-long exhibition in the education gallery features ofrendas (altars) designed by Mid-South students, a Monarch butterfly collaborative art-making activity, and stories behind some of the iconic symbols that represent this celebration of life.
Learn MoreMark Seliger, a well-known photographer, has captured striking portraits of some of the transgender residents of New York City’s famed Christopher Street. This will be the first time this body of work will be shown in a museum, and it is the first transgender-focused art exhibition the Brooks has ever organized.
Learn MoreMona Hatoum (b. 1952, Beirut, Lebanon to Palestinian parents) is considered one of the most significant artists of her generation. Hatoum's sculptures and installations often re-imagine everyday objects to engage with issues of gender, race, and conflict.
Learn MoreOperating in a territory between architecture, art and industrial design, LA-based Ball-Nogues Studio brings you 'Brooks Outside: Pour Me Another.'
Learn MoreThese pictorial accounts reveal both the acute distress on our community and moments of deep humanity that offer hope for the future. What Martin and Morales capture, how they capture it, and what they are thinking as they capture it, is examined here and in their own words.
Learn MoreThis exhibition brings together paintings, photographs, textiles, and sculpture by mainly self-taught African American artists from the museum’s permanent collection, spanning from the beginning of the twentieth century to the present day.
Learn MorePhotography in Memphis is both a celebration of and a reckoning with the history of the city through the work of 56 photographers. Spanning 1849 to today, the images capture places you’ve been, the people you know or wish you knew, and the events you experienced or were sorry you missed.
Learn MoreDavid Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.
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Information about the permanent collections of the Brooks Museum
