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The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.


The Memphis Brooks Museum of Art is participating in the nationwide effort to identify works of art that may have been illegally confiscated from their rightful owners by the Nazi regime during World War II. Committed to the responsible stewardship of its collection, the museum is conducting in-depth provenance research on a number of paintings in the permanent collection, in compliance with the guidelines issued by the American Association of Museums in 1999 and 2001.

Embark on a hands-on exploration of the basic visual components that make up a work of art; line, color, texture, and form. Through every day play, four interactive stations encourage careful observation, imaginative art making, and sensory awareness in all ages. On your mark, get set... PLAY!
Learn MoreComprising around 40 works by the French academic painter William-Adolphe Bouguereau (1825-1905), this exhibition explores the artist’s remarkable popularity in the United States.
Learn MoreA sculpture and sound installation by multimedia artist Terry Adkins.
Learn MoreMemphis artist Ted Faiers (1908-1985) is featured in an exhibition of woodcuts, selected from the permanent collection. Faiers is best remembered for his large relief paintings with figures that project off the surface and that are colorful, insightful and satirical;
Learn MoreNatural Curiosity: Beth Van Hoesen displays the artist’s process, from initial sketch to polished print. A highly skilled printmaker, Van Hoesen specialized in the intaglio processes of etching, drypoint, and aquatint.
Learn MoreCurated by Donal Harris, Assistant Professor, English Department, University of Memphis and Julian Rome, Senior, University of Memphis Painted Words: Poets and Painters in Print, 1870-1970 showcases three volumes that combine literary and visual art through printmaking.
Learn MoreThe Mid-South Scholastic Art Awards is an annual juried student exhibition presented by the Brooks and Brooks Museum League. As an affiliate of the Alliance for Young Artists and Writers, the Mid-South Scholastic Art Awards honors exemplary art by students in seventh through 12th grades.
Learn MorePioneering American modernist Georgia O'Keeffe (1887-1986) conveyed a distinct sense of place with innovative depictions of her surroundings, from stark New Mexican landscapes to New York cityscapes.
Learn MoreFor eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Memphis College of Art, 1936-2020: An Enduring Legacy' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.
Learn MoreDavid Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.
Learn MoreNazi-Era Research
Between 1933 and 1945, the Nazi Party systemically persecuted and stripped Jewish people from Nazi-occupied Europe of their possessions. These objects were looted, sold, dispersed, or destroyed. The Memphis Brooks Museum of Art began Nazi-Era provenance research in 2002, focusing on all European paintings in the permanent collection that transferred ownership or have gaps in their provenance from 1933 to 1945.
Although we cannot conclude that a work of art was looted or appropriated by the Nazis simply because it has incomplete or unverified information in its provenance, gaps do indicate that more robust research must be conducted. Many times, these gaps in provenance are the result of lost or destroyed gallery records, or the requested anonymity of a past owner. Several of the museum’s paintings have been researched and their provenance has been established, while others continue to be investigated.
The American Association of Museums has developed a Nazi-Era Provenance Internet Portal which provides a searchable registry of objects in United States museum collections that fit the criteria discussed above.
In allowing public access, we join with the international art museum community in the diligent search for items seized or looted during the Nazi era. If you have any inquiries or information about these items, please contact the museum at provresearch@brooksmuseum.org.
Colonial-Era Research
Throughout history, many works of art from around the world were stolen, forcibly sold, or taken without consent as the direct result of Colonialism. The communities whose objects were taken experienced trauma, violence, and loss. Looting is not just an issue of the past. These problems persist globally due to war, riot, shifts in government, organized crime, terrorism, and natural disasters and, unfortunately, looted objects emerge on the art market to this day.
The Memphis Brooks Museum of Art is committed to not only investigating the history of objects in our collection with possible links to Colonialism, but also to ensuring that all incoming acquisitions and gifts have a verified past that align with our ethical obligations.












Information about the permanent collections of the Brooks Museum

