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Zenab Hawasha, 'Innocence Preserved', Senior Division Second Place, Painting, 12th grade, Central High School, educator James Dycus.
Every day you interact with countless amounts of people, but have you ever truly seen them for who they are? In our diverse society, it is important to celebrate the beauty and uniqueness of all identities and experiences.
Learn MoreMemphis-based artist and designer Khara Woods presents A Flash of Sun, an installation of sun-drenched shades, dazzling patterns, and geometric sculptures.
Learn MoreIn her first solo museum presentation, Calida Rawles envisions water as a space for Black healing. Merging hyperrealism, poetic abstraction, and water's cultural and historical symbolisms, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water.
Learn MorePennsylvania-based artist Thomas Jackson (b. 1971, Philadelphia) harnesses the windto create ethereal works that blur the boundaries between landscape photography,sculpture, and kinetic art.
Learn MoreFor the museum’s inaugural Winter Art Garden, Memphis-based artist Greely Myatt uses found objects including metal scraps, neon, and discarded signage to create Starry, Starry – an illuminated starscape on the museum’s plaza. Teasing the boundaries of sculpture through the use of flat forms, Myatt ponders and plays with line and light.
Learn MoreMore than just a surface on which to paint, draw, or sketch, paper can be a dynamic art form that encourages collaboration and welcomes spontaneity. 'Beyond the Surface: The Art of Handmade Paper' explores the shape-shifting quality of paper—how it can transform from pulpy fiber into vibrant works of art through hand papermaking.
Learn More'Roll Down Like Water' features sixty-five photographs spanning a decade of work by the Memphis-based, Peruvian-American photographer Andrea Morales. Through her captivating images of the South in moments of turbulence, stillness, darkness, and beauty, Morales charts new paths in sustainable journalism, while reflecting upon identity, community, and the power of storytelling.
Learn MoreFor eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Memphis College of Art, 1936-2020: An Enduring Legacy' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.
Learn MoreDavid Uzochukwu: Bodies of Water is a poetic meditation on identity, migration, and belonging. In his first solo museum exhibition, Uzochukwu presents hybrid beings—part human, part animal—who inhabit surreal, dreamlike landscapes. His use of nonhuman features amplifies, rather than diminishes, the strength and dignity of his subjects.
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