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Upcoming EXHIBITIONS



Venice in the Age of Canaletto

February 14-May 9, 2010

Curated by Associate Curator Stanton Thomas, Memphis Brooks Museum of Art and Alexandra Libby, Assistant Curator, John and Mable Ringling Museum of Art  

 

Exhibition Sponsors: The Samuel H. Kress Foundation and
The Assisi Foundation of Memphis
With Additional Support from:
The Doris and Hubert Kiersky Charitable Remainder Trust

Shipping Sponsor: FedEx Corporation
Education Programs Sponsor: The Thomas W. Briggs Foundation

Family Day Sponsor: Carrier Corporation  

This exhibition is organized by the Memphis Brooks Museum of Art and the John and Mable Ringling Museum of Art, and is made possible in part by the Samuel H. Kress Foundation and The Gladys Krieble Delmas Foundation.

 

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.


Inspired by Giovanni Antonio Canaletto’s marvelous and expansive painting The Grand Canal from Campo di San Vio—a gift from the Samuel H. Kress Foundation to the Brooks Museum—this exhibition celebrates Venice’s last, and most opulent, artistic efflorescence. This period, which spans the 18th century, saw the city transformed into a glittering destination for wealthy European tourists on the Grand Tour. Venice’s exotic setting, gambling dens, grand pageants, and famous carnival season, were enhanced by its extraordinary cultural heritage. The era saw the emergence of not only Canaletto, but Gianbattista Tiepolo, Sebastiano Ricci, Giovanni Battista Piazzetta, Francesco Guardi, and Bernando Bellotto. Their paintings evocatively capture the decadence, splendor, and beauty of city that was known as the “Drawing Room of Europe.” A collaborative effort of the Brooks and the Ringling Museum in Sarasota, Florida, Venice in Canaletto's Age offers a rare look at sumptuous paintings, as well as prints, furniture, and textiles from the city’s golden age.

 



Exhibition Catalogue is now available at the Museum Store
$54 for members; $60 for non-members

 

Canaletto (Giovanni Antonio Canal), 1697-1768
The Grand Canal from the Campo San Vio (det.), ca. 1740
Oil on canvas
Memphis Brooks Museum of Art
Gift of the Samuel H. Kress Foundation 61.216



Who Shot Rock & Roll: A Photographic History, 1955 to the Present

June 26-September 26, 2010

Curated by Chief Curator Marina Pacini
Galleries 2, 3, and 4
Organized by the Brooklyn Museum

Who Shot Rock & Roll: A Photographic History, 1955 to the Present is an exhibition about the men and women who have photographed one of the most important cultural revolutions ever, rock and roll. The music needed images to communicate its message of rebellion, freedom, and personal reinvention. The best photography of rock is skillful, sensual, sexy, creative, compelling, and underrated. It provides not only documentary evidence of cultural change but parallels the energy and potency of the music itself. Rock photographers see themselves as going to the front lines and not returning until they capture the frenetic energy, euphoria, and freedom that is rock and roll. They say, correctly, that no one would believe in the revolution unless there were pictures. Who Shot Rock & Roll will provide an opportunity for the public to see many of the original prints and to learn the names of the photographers who shot some of the world’s most iconic images. For, like the musicians they photographed, they, too, changed the world and how we see it.

The exhibition comprises behind the scenes images of artists such as R.E.M. at a lunch counter; live performances including the complete series of Jimi Hendrix burning his guitar at the Monterey Pop festival, which has never before been exhibited or reproduced; shots of teenagers pushing British bobbies at Buckingham Palace to glimpse the Beatles; a range of portraits including Philip Townsend’s photographs of The Rolling Stones before they had a record deal; and finally the original source material for album covers taken by artists such as Andy Earl, Bob Whitaker, Jean-Paul Goude, Bruce Weber, David LaChapelle, and Storm Thorgersen. Among the many artists captured are Tupac, Kiss, Fugazi, Bjork, Salt ‘n’ Pepa, The Ramones, Prince, Amy Winehouse, and Metallica.

 

Roberta Bayley (American, born 1950)
The Ramones, New York, 1976 (printed 2007)
From left: Johnny Ramone, Tommy Ramone, Joey Ramone, and DeeDee Ramone
Gelatin silver print
Courtesy of Roberta Bayley